Plans for Poppet

I’ve mentioned my children’s book, The Golden Pinecone, in a previous post, as well as my plans to revise the illustrations. I am currently working on a script for my midterm in one of my classes at SMCC, and will finish that – hopefully – by the end of the semester.

The goal is to create an animated holiday special that really represents the overall message of “Kindness is magic”, and showcase the kind of visuals that I have in my mind. Working out the redesign of my characters for this story will be a huge part of the adaptation, and I’m excited to work on it!

With my new Procreate/iPad combo, I have created a visual aid for my midterm project, here:

It still needs some work, but I really love the textures, making the background and landscape softer, almost fuzzy. I even figured out how to make my own brush for the willow leaves!

Procreate

Please know that I am foolish in so many ways, and that I do not expect people to “approve” of things I share my opinion about.

So many artists I know get very excited when they start using digital programs to create, and tend to overshare their process (again, my opinion only). I see incredibly talented analog artists often sharing digital work before it looks anywhere near complete, or strikingly different in quality than their previous work, with the intention to sell prints. I do understand the excitement, I promise I do, but as someone who was raised by an over-sharer, it sometimes makes me cringe when I see someone who is a fantastic artist posting something that truly does not represent them or their abilities yet, and trying to sell it. I know it seems judgmental, but I do hold out to see as they improve – and they do – and celebrate that success for them. I just hold a certain standard for my own art before asking someone to pay for it, and sometimes feel like people get swept away by the efficiency of it all.

I had a couple of cute line drawings that I made one summer, during a weekend of camping and debauchery, and held onto them with the intention of someday painting them in. Over the years, I would start to digitally color them, but never really liked how it was coming out.

When I invested in my iPad Pro, I decided that these two pictures were going to be the guinea pigs for me to get accustomed to not only the tablet, but the program Procreate that all of the digital artists around me were raving about. So, I started to work on them the way I would usually do in Photoshop in the past – creating the outlines, then coloring on the layers underneath. The brushes – oh, the brushes! – made what used to be a one-session creation into a two-week long experiment in textures, colors and opacity. Did I mention there is a LIGHT PEN?!

So, I’ve done it. I finished it – it looks and feels finished to me. It looks beautiful to me. Please let me know what you think – I would love some interaction on this blog!

Welcome, and thank you!

Having never been very consistent with online creative outlets, such as blogs and social media, I sincerely appreciate every “like” and “follow” that You gift me.

I recently committed to a digital upgrade by investing in an iPad Pro and Procreate. So far, I’m enjoying exploration in Brushes – there are far too many! I have been working on my first official creation in this format, and I’m so happy with it so far, I can’t wait to show you here.

For those of you who have just jumped on this random bandwagon, I will be posting my visual art, along with the origin or a story that goes with it. I am currently compiling material for a full length animated feature film for the Land of Lo, as well as writing a script and re-creating character design for a short holiday special, “The Golden Pinecone”, an adaptation of a children’s book I wrote many years ago. My main focus is animation, and converting my artistic style to digital in a way that I feel still represents my aesthetic – which, to this point, has been watercolor and ink, with bright colors, sharp contrast, and psychedelic slant.

I am writing the script in tandem with a script-writing class – very convenient! – and want to apply for an Adobe Creative Residency next spring, in order to fully realize a 25-30 minute animation on my own. So, please join me for the journey. I am very excited about what the next couple of years will bring for me, and would love to share the experience with You!

My face.

~P

Pallo

So, it’s time to introduce Pallo, officially. Since I’ve been making little practice animations with her, I feel like it needs to happen to start building context. Pallo is a character I created, inspired by two little girls – twins – I used to take care of in my nanny days. We were together since they were fifteen months old until they were four, and have kept in touch really well since. I was there for them learning to talk, go on the potty, hold a fork, drawing a face, on and on.

I would often record conversations, kind of like interviews, with the kids I would nanny for, to share with their parents for memories. Lots of terrible, but hilarious, knock-knock jokes, singing “Twinkle Twinkle Little Star”, asking their age and favorite color, things like that. When the twins started really talking more, I worked on them saying my name. I mean, after all, I was with them almost every day! So, I would record them whenever I asked them what my name was, in order to catch the first time. I can’t express to you how cute these recordings are…so, here is “The One”.

Isis and Naila say “Peri”….but really Pallo.

The way that Naila was so sure that “Pallo” was correct – just repeating it over and over until I pointed the mic at her and got it nice and loud – makes it one of the funniest and cutest clips I’ve ever captured. I became Pallo, and then I created her as a character.

Photo of marker and crayon drawing of Pallo.

Pallo has four arms, for extra hugging, and has a crown of flowers on her head. In the Land of Lo, where she lives, all creatures are a mixture of plant and ocean life, and Pallo is no exception. Her “ponytails” are actually large petals, and when she sleeps, white puffs (think milkweed or dandelions) of seed fly out of a hole in her head, and the petals spread open and up to guide the seeds safely onto the breeze. Pallo is Claviger of the Flowers, and it is because of her that flowers grow in the Land of Lo.

First four panel comic I created for Pallo’s origin. The background is Mount Abbas and Mount Moya, with Pavo the Prophet’s tower on the island in Lake Chitali in the distance. Squirrels played a big part in my time with the twins, so I try to include one whenever I can.

She is also very maternal, and adopts a band of misfits as she journeys through Lodila Valley on her quest. Isi and Nin are directly inspired by the twin girls who named her. Their origin story belongs in its own chapter, so I’ll save it. Pallo goes through many emotions on her journey, each creating its own story.

2013 version of Pallo, Isi and Nin. A couple of the first complete depictions of them.

Pallo’s look has evolved as I convert her into an animated character. I have added a texture to her skin, and defined a purpose for her “ponytails”, as well as adding some cool markings on her back, which you cannot often see. She wears the necklace of a Claviger (key holder) around her neck. I have given her little stubby legs for walking. She’s ready to be a star, now I just have to catch up. So, please stay tuned for more short animations as I learn to navigate my way through Adobe Character Animator and Animate to create as much as possible. Please follow me on Instagram to see some of the older posts, and the most recent, as I update that much more often. Drop me a DM to let me know you followed me because of this blog. Until next time…

Pink Gelatin Skeleton

I have a great friend, who is a great musician/songwriter, and he has allowed me to collaborate on some music and art for his videos. It’s has been the only outside creative interaction I’ve had in years, so it’s pretty special. I decided to convert his illustration into animation, as a surprise (just a first test, mind you), and to time how long it takes me to make a working puppet for Adobe Character Animator. Approximately 75 minutes for just the head.

PGS Test

Check it out. 😁

Estoy Llorando – I am crying

My father passed away on Tuesday. He had suffered a long time, so he is free of pain now. It is only fitting that our lesson in Animation class this week was Cycle Layers, learning how to add tears to our puppets. Here is Pallo, crying:

Fortunately, I find solace in creating. I used the sound of a Sesame Street cartoon that has stuck with me since I was around three years old. Two cartoon characters sharing tears wasn’t really something that I had seen and it definitely made an impact. It was the first thing I thought of when our lesson came up. More Land of Lo to come…

The Tillers

In the beginning…

The Land of Lo (which, many years after naming it so, I found out is an actual place in the far East) was not always a beautiful countryside with an infinite lake and mountains. No, it started out as fire. An endless – and beginning-less – blanket of eternally burning fire. It became that after a period of “darkness” that occurred on the Great Mountain. The Great Mountain serves as a sanctuary and headquarters for the creatures known as The Tillers. With its rose petaled waterfall, powerful portals, and immense library of all things knowledge, it is appropriately deemed such.

The Tillers are tall, slender, and have long limbs and heads that resemble thick shark fins with gills, or even a succulent plant. All things Lodian are primarily plant or sea creature – based, as you will begin to see more and more. I created the character design based on the way my wife tied up her curtains. One day, it just looked like something, and I sketched the first idea of a Tiller. With a flowing train of robe hanging down to the ground, a meditating Tiller floats in a cross-legged position, with their arms folded in front and covered by the sleeves. They have keyholes in their chests, for which each Claviger (that post is to come) has a key that fits. They have walking staffs that have magical pearls that enhance their manifestation, and often keep pomi birds as companions.

The Tillers oversee all creation. All creation happens through meditation by the Tiller, who then manifests something that fulfills a need in the world. It is then sent in the form of a seed, to grow into what it must become. They’re pretty cool creatures. Below, there is a gallery of the progression of the character design. Simple shapes at first, then kind of a humanoid, and finally a more aquatic and plant-like entity. The final photo is of the first color portrait I created of a Tiller. The first chapter of the Lodian origins tells the story of how a young Tiller discovered the endless sea of fire, and manifested water for balance, becoming Lake Chitali once the steam settled. What came next, you’ll have to wait and see!

Characters of Lodila Valley

Lodila Valley is nestled in the center of the Land of Lo, and is home to many creatures. Here are some profiles for some of them. Each of them have developed into much more complex characters as my writing continues, but here are the basics!

Characters and short bios

Art

I am realizing that, while this blog is titled, “The Art of…”, I have yet to really share any. So, without further adieu, my first share is the Cybele. In this piece, this extraordinary creature is giving consul to a traveler from another realm. What’s a Cybele, you ask?

Cybele (si-bill-ee), named for an Anatolian goddess (also known as the Magna Mater, or “great mother”), is a genderless creature that dwells in Lake Chitali, at the outskirts of the Land of Lo. It is considered, like most Lodians, a hybrid of plant and animal, but cannot survive out of the water.

It has three stages of transformation –  pod (much like larva, attached to the parent), juvenile (free-floating), and parent (rooted). Pods develop at each end of hundreds of tendrils protruding from the parent, and are released by the force of the next generation growing behind them.

This gestation process takes seven years. The small size of a released pod risks the fry being eaten by other water creatures, or other such demise. Surviving, free-floating, Cybele (juvenile) continue to float on a 70-year long expedition to gain insight and knowledge that extends beyond any other creature in the Land of Lo. This is possible because each generation of pods absorbs the knowledge of the parent, and it continues through life only to add more.

Mature Cybele end their journey after another 70 years, by swallowing a large golden pearl from the Claviger, Ko the Oyster Guardian of the Western Shores of Lake Chitali, then sinking to the bottom. Fortified by the pearl’s energy, they take root, and sprout the tendrils that will start bearing their own pods. Once it becomes a parent, it creates thousands of offspring in the remainder of its lifetime.

Pods possess a strong incandescent light glow that changes colors according to emotions being transferred telepathically. Pink means love, green means confidence, red means fear, and so on. It is because of these translatable lights that adult Cybele are considered oracles, of sorts, and they are often visited by travelers on a quest to find meaning or guidance in life.  At this time, they begin channeling emotion to provoke thoughts of logic and new perspective in the seeker.

Seekers must find and swallow a golden pearl themselves in order to find the Cybele. The creature then absorbs the life experience of the seeker through a tendril that connects with the pearl in their body, and provides the “answer” they need, in exchange. Once the pearl’s energy has been fully absorbed, and the seeker has reached revelation and epiphany, they are then released to float back to the surface, equipped with the new insight.

For example, a seeker may have lived an empty life of loneliness, never having experienced true contentment of genuine love from another, and may be consulting the Cybele Oracle as a last hope for answers as to why this has happened to them. Upon approaching the Cybele, the large tendril will reach out to the seeker and touch its heart glow from the pearl they swallowed. The pods will then respond with pink glowing lights, and the seeker will experience pure and genuine love for the first time. That emotion will provide a realization that they have not encountered before – perhaps a dear friend whose affections were dismissed is shown to them – and they will be released to float back, knowing they must embrace the love being offered, in order to feel that emotion again.

Someone who has lived a life of complacency and servitude may be provoked to feel anger for the first time, and be inspired to change their situation for the better, and so on.  Anyone may seek answers, as often as they wish, as long as they have swallowed a pearl. The experience is quite intense, so most Lodians only need one to set their lives on the right course.